Missing an Important Call - Warren Ellis’ Global Frequency Pilot
If there’s a theme I’ve experienced with television and pop culture, ever since I was a kid, it’s the “I wish I hadn’t missed that phenomenon. I missed Highlander in the theatres because I never heard of it. Later, I missed the shows Nowhere Man and Threshhold, both of which I blame network tv. And yes, I’m one of those geeks that thought SportsNight was the best thing on TV.
Recently I hunted down the Warren Ellis’ Global Frequency pilot - don’t ask me how because then RIAA would have to sue me, effectively a dead-on-arrival TV show due to [insert favorite Hollywood rumor here]. What amazes me is that someone could watch the show and not carry it through, especially after spending the money and time to get something like this off the ground. The show is based on Ellis’ Global Frequncy comics - which is something I never got into.
For those that are not going to see it ever, the story is simple: It’s the end of the world [or humongous terrorist attack or very large natural disaster - you get the picture] and Michelle Forbes gets to play the cold hard bitch that going to save it, including recruiting you. Strike one: how can you deny Michelle Forbes a role she’s born for? Hollywood hates strong women, and has been particularly rude to Forbes, in my opinion.
You have the very cool Warren Ellis twist on it, in this case a psychic quantum bomb, but that’s not the important thing: the Global Frequency is potentially everyone - smart, skilled, or simply the best available person at the moment.
As big as Ellis’ internet ego-footprint is (here and here), I picked out an underlying idea that’s common with a lot of Ellis’ work: we’re all on this planet together and it’s a good thing. This is something we’ve seen on his run of the Authority. Strike two: Ellis’ viewpoint is perfectly represented on the show.
The characters include a hot repressed librarian er, physicist who has yet to let her hair down - her first exposure to the audience is effectively a very common character reaction to a corpse: the humorous barfing scene. It’s a great exposure to the character and humanizing moment.
Add to it Aimee Garcia’s sonorous voice (and body) as Aleph, the comptroller of the group. She humanizes much of the story and characterization bringing the three different characters together - a role that would’ve allowed Garcia to have some of the best lines in the show.
The end of the show forces an excellent character choice that would’ve killed most shows in the 80s and 90s, but is perfect for Post 9-11 television.
Plus - San Francisco! What better place to put a freaky storyline?
So what was the problem? I don’t know. The conspiracy theorist in me says the ideal is dangerously democratic. The cinematic fan tells me it was shot far too dark, whcih could’ve been my recording. Wikipedia has it’s own theory. Either way, while I’m a bit of a Warren Ellis freak, I regret finding good things out that have already been cancelled. Feels like I keep missing the important calls - the good news is that I’m planning on getting copies of the trade paperback today.


